If you take a look at the website, you’ll notice a new article in the “About” section. This article comes from Michael Erlewine, and I’m happy to be able to share it with you here.
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The following article was written by Colin Brignall and posted to the Letraset website. It’s such a thorough review of the 1960s posters I thought I ought to share it with you here. Much thanks to Colin for providing such a detailed analysis! Continue reading The Psychedelic Poster Art of Wes Wilson When, after only a few years the heady event poster phenomenon of the mid-’60s in San Francisco had peaked for me, I began to imagine what various other artistic mediums there might be to explore and maybe expand. Most of my artist acquaintances chose to work the traditional commercial art world of advertising – seeking especially the lucrative record jacket work for the famous bands – which became much sought after prizes. Silkscreened t-shirt designs became popular and profitable for some who catered to popular traveling bands like the Grateful Dead. Store signage for some became innovative and even exciting work around the Bay Area too. Several poster artists followed Robert Crumb into the funny goofiness of underground comics like ZAP. None of these directions inspired me, however. So after considerable reflection I found a new focus for my artistic efforts: the amazing artistic potential of etched and fused glass. |
 Wes Wilson continues to create fine artwork and, on occasion, personal portraitures. If interested, please contact Wes.    |
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